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The Textile Heritage Museum is located in the Glencoe Mill Village, just north of Burlington, North Carolina.
The museum features history and machinery of the textile industry from the cottage industry to the present, the family labor system, life in the mill villages, and a company store exhibit, and presents various exhibits of interest. |
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In 2002, Jeff and Susan Lane established Lane Motor Museum. Jeff has been an automotive enthusiast since an early age. He began restoring his first car—a 1955 MG TF—when he was a teen. His personal collection was the donation that began the foundation. Lane Motor Museum unveiled its collection to the public in October of 2003. As director, Jeff Lane continues to search out cars for the collection that are technically significant or uniquely different. The goal of Lane Motor Museum is to share in the mission of collection and preserving automotive history for future generations.
The Museum is a non-profit 501(c)(3) organization. |
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The Museum is located on Bicentennial Plaza in downtown Raleigh between the Capitol and the Legislature Building, at the corner of Jones and Salisbury streets.
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The North Carolina Museum of Art's collection spans more than 5,000 years, from ancient Egypt to the present. The ancient collection includes Egyptian funerary art and important examples of sculpture and vase painting from the Greek and Roman worlds. The collection of European paintings and sculpture from the Renaissance through impressionism is internationally celebrated with important works by Giotto, Sandro Botticelli, Raphael, Anthony van Dyck, Peter Paul Rubens, Antonio Canova and Claude Monet. American art of the 18th and 19th centuries features paintings by John Singleton Copley, Thomas Cole, Winslow Homer, Thomas Eakins and William Merritt Chase. Modern art includes major works by such American artists as Marsden Hartley, Georgia O'Keeffe, Franz Kline, Frank Stella, Jacob Lawrence, Elizabeth Murray and Joel Shapiro. Modern European masters include Ernst Ludwig Kirchner, Paul Delvaux, Henry Moore, Anselm Kiefer and Gerhard Richter. Galleries are also devoted to African, Ancient American and Oceanic Art, as well as Jewish ceremonial art.
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The African American Heritage Preservation Cultural Complex (AACC) originated in 1984,as a hobby, by Dr. and Mrs. E.B. Palmer, then opened in 1989 as the Black Heritage Park. The Palmers’ and George Barner incorporated AACC in 1994. The Palmers’ entered into a Lease Agreement in 1991 for $1.00 per year. The park occupies approximately 3 acres of the wooded land to the rear of the Palmer House at 119 Sunnybrook Road. The AACC was chartered and granted 501 (c)(3) tax status in October 1994. The AACC currently has 3Exhibit Houses located along a natural trail beside a creek, a Mini-Amphitheater, a Bird Sanctuary, Nature Preserve and a Picnic Area and Botanical Gardens. There is no admission fee, however, visitors and friends have donated small sums of money. Friends and organizations have also donated labor and artifacts.
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The Museum has four large floors devoted to the disciplines of art, history, natural history and science/technology. It houses both long-term exhibits and five changing exhibit galleries. On Oct. 29, 1988, the South Carolina State Museum opened its doors, bringing to the citizens of the Palmetto State the newest, and one of the finest, state museums in America. Since that day it has awed, delighted and enlightened millions of visitors. The State Museum has more than 70,000 artifacts in its collection, and it is still a very young institution. The State Museum has been voted Best Museum in the Midlands five years in a row by Columbia Metropolitan magazine, and was designated Best Museum of 2007 by the readers of the Free Times newspaper.
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The mission of the Carolina Art Association (the Gibbes Museum of Art) is to offer through collection, exhibition and interpretation a thorough knowledge of the visual culture of Charleston, the Lowcountry and the American South from the colonial era through today.
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A non-profit, educational association and collects books, documents, artifacts, and other historical objects significant to General Maritime History of Jacksonville and Florida's First Coast; preserves their historical value; and interprets their meaning to the public by means of museum displays, educational programs, lectures and publications.
The founders of the JMMS have declared preserving the history of Jacksonville has laid the groundwork for establishing a rich collection of artifacts and manuscripts that relate to Jacksonville’s past, present, and future. The strength of the JMMS collection lies in its connections between artifacts and the people who owned, used, and learned from them. |
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The beginnings of the Tennessee State Museum can be traced back to a museum opened on the Nashville public square in 1817 by a portrait artist, Ralph E.W. Earl. A young boy who visited that museum in 1823 wrote home that he had seen a life-size painting of then General Andrew Jackson. That same painting hangs today in the State Museum, now located at the corner of Fifth and Deaderick streets.
In 1937 the General Assembly created a state museum to house World War I mementoes and other collections from the state, the Tennessee Historical Society and other groups. This museum was located in the lower level of the War Memorial Building until it was moved into the new James K. Polk Center in 1981. The Tennessee State Museum currently occupies three floors, covering approximately 120,000 square feet with more than 60,000 square feet devoted to exhibits. |
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Established to maintain and perpetuate an educational facility for those who are interested in the history of the United States, its early problems and difficulties in becoming the Nation it is today. The museum is dedicated to historical accuracy in presenting the lifestyle and culture of the Antebellum South, a unique civilization, misunderstood by many, belittled and misrepresented by some, but deeply revered by the grateful descendants of the brave men and women whose sacrifices and dedication to a cause that created a chapter in our nation’s history that is unmatched. Special attention is given to the education of young people as groups of school children are given basic education in our nation’s history in the hope that they will better understand and perhaps develop an interest in learning more about their history.
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MOSH funding is provided in part by the City of Jacksonville and the Cultural Council of Greater Jacksonville, Inc.; the State of Florida, Department of State, Division of Cultural Affairs, and the Florida Arts Council, and the National Endowment for the Arts; Historical Museums Grants-in-Aid Program assistance provided by the Division of Historical Resources, Florida Department of State, Secretary of State; and the generous support of our donors and members.
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Museum Trustees and staff have moved with resolve and no small measure of courage to begin construction of a new Museum building to protect our collection from storm and to welcome our visitors. Please visit, become a member, and if you are able to do so at any level, make a financial contribution. Our website provides you an easy way to do so online.
The landmark building will be realized as a collaboration between architect Yann Weymouth of HOK, the Museum staff, and the builder the Beck Group. Built more efficiently than many contemporary museum structures, the new Dali combines elements of the classical and the fantastical – much like the work of Dali. |
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"The NEW World of CocaCola is the only place where visitors can explore the complete story—past, present and future—of the world's best-known brand! For over 120 years, we've been putting our secret formula into bottles. Now, we've put it all in one amazing place—the NEW World of CocaCola.
With 62,000 square feet of guest areas, the NEW World of CocaCola is approximately twice the size of the previous World of CocaCola. We will feature more than 1,200 artifacts from around the world that have never been displayed to the public before. In fact, only about 50 artifacts from the previous World of CocaCola will be showcased at the NEW World of CocaCola. A visit of the entire facility lasts an average of 90 minutes." |
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The American Military Museum in Charleston, S.C., offers a one-of-a-kind experience in military history for travelers and residents.
Located in Aquarium Wharf adjacent to the debarkation point for tours to historic Fort Sumter, the Museum is filled with authentic artifacts from 14 American conflicts from the Revolutionary War through the recent war in Iraq. |
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This 80,000 square foot Museum opened in August 2003 with main galleries featuring contemporary Western American art. Other galleries feature Civil War art, Presidential portraits and letters, Western movie posters, and Western illustration. Sagebrush Ranch is an interactive gallery where children of all ages can learn about art and Western America. The Museum’s Special Exhibit Gallery hosts three to five temporary exhibits per year.
The Museum Store offers books on art and the West, as well as prints and other items featuring Western American art images. The Café offers light lunches to guests and members visiting the Museum. A multimedia theatre, with seating for 60, shows the orientation film “The American West” every 20 minutes. |
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From a stately home on Peachtree Street to its current award-winning buildings in a spectacular setting, the High Museum of Art in Atlanta has grown to become the leading art museum in the Southeastern United States with its renowned collection of classic and contemporary art and renowned architecture by Richard Meier and Renzo Piano.
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Creative Discovery Museum is recognized as one of the premier hands-on children's museums in the region. Gather the young and young-at-heart and make plans now to visit us at Creative Discovery Museum. Whether it's for a couple of hours or a whole day, time spent at the Museum is sure to be worthwhile learning for the whole family.
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The KMA’s predecessor, the Dulin Gallery of Art, opened in 1961 in a beaux-arts mansion in West Knoxville. By the middle 1980s the Dulin had outgrown its quarters, and a major community effort raised $11 million for a new museum in downtown Knoxville at the site of the 1982 World’s Fair. The Knoxville Museum of Art opened in March 1990 in a state-of-the-art, 53,200 square-foot facility designed by renowned museum architect Edward Larrabee Barnes. The building, clad in Tennessee marble, is named in honor of local philanthropist Jim Clayton, the largest donor to the building fund.
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The science portion of the museum has fourteen different collections in Archaeology, Arthropod, Botany Herbarium, Economic Geology, Herpetology, Ichthyology, Invertebrate, Mammalogy, Mycological Herbarium, Ornithology, Paleontology, Pollen and Plant Microspore, Rocks and Minerals, and Zooarchaeology as well as more than 325,000 alcohol-preserved fish specimens. In addition, there are exhibits, archives, and entertainment for children.[4] Its more than four million objects makes it one of the largest museums in the Southeast. Source
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